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I highly recommend investing in the Yamaha covers too to protect your investment. 200 to 500 Watts of Continuous power should be enough for most small venues, while upwards of 500W are meant for medium to large size venues. All while being under 20lbs per speaker. Unlike the JBL SRX835P this is only bi-amped, however the crossovers do their job and I don't think there's any lack of mid or high-end response; even at high volume you still get a great deal of detail and nuance. Will likely only play smaller stuff, with between 30 and 200 people I would say, with some being Outdoors. This is commonly seen when it's used as a floor wedge. FWI, here's a clip of my Helix and DXR at rehearsal just done with a hand recorder sitting on a music stand in the middle of the room. The K8.2 is one of their highest rated speakers, sporting an 8" speaker and a 2000W amplifier with a built-in 3-channel mixer. Didn't you say it does work in the mic input? All rights reserved. Both models are genuinely compact for their driver size and are squarer in appearance than the taller K Series; the CP12 measures a bit over 13 inches wide and 20 inches high, and the diminutive CP8 stands a shade over 16 inches. I'll report back next week. both of those series rank up there with QSCs ang EVs and mop the floor with JBL. 30, 2017. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. __________________________________________________ _____, Been rocking two QSC K12's, one QSC K8 and a QSC KW181 and wont try anything else now. The most important reason people chose JBL PRX815 is: The sound of the JBL PRX815 can be thoroughly edited via Wi-Fi on . If I was Hercules, I'd definitely use a 15" speaker. Calibration was a breeze and the volume and clarity was good even during rock gigs. And I can also depend on QSC product quality. 98 out of 100. It can take a fall and still function without having any damage. You must log in or register to reply here. Submitted by Jason Horton on Aug. 28, 2019. Yamaha DBR-12 Powered Speaker (1x12") Technical Description - System Type: 2-way, Bi-amp Powered Speaker, Bass-reflex Type Frequency Range: (-10dB) 52 Hz-20 kHz Coverage Angle: (Horizontal x Vertical) H90" x V60" Constant Directivity Horn Measured Maximum SPL (Peak) IEC Noise@1m: 131 dB SPL Crossover: 2.1 kHz Comparison of QSC K12.2 and Yamaha DXR12 based on specifications, reviews and ratings. If you run everything flat using Shute mics you will have zero feedback and it Weill sound fine. http://www.soundclick.com/html5/v3/player.cfm?type=single&songid=13447202&q=hi, 2023: The Year Epiphone Became Unaffordable, Don't store picks in zip bags for too long. These are rugged and substantial, yet not clunky and clumsy. We used the "live" present without any subwoofers. I know the K series and DXR are usually thought to be pretty equal, but in this thread I noticed the CP series was put in a higher tier than the DBR's. Incorporating 150+ ratings and reviews. There is only a single volume control for each channel. The sound they offer is best described as clean, loud and surprisingly full. Does anyone have experience with these? The preset contours are Default, Dance, Floor Monitor and Speech, and the default and dance positions also have a'with sub' option, making atotal of six. The QSC CP12 and QSC K12 are both great active loudspeakers with impressive build and sound quality and plenty of control and connectivity options. More info, Copyright 2022 www.bestadvisor.com. eagan soccer tournament 2021. do gas stations sell ping pong balls; winifred millicent hall; linq query with if else condition c#; fallout 4 mandalorian build; characteristics of family . with these newer 'Powered' Pole systems, which make & model is the Best Bang for the Buck, that will compete, meet, or, if possible, exceed the Full Wall of Sound produced from the older Passive Spkr systems ? Hi. General Acoustic Guitar and Amplification Discussion, https://www.qsc.com/live-sound/produp-series/cp12/. Using the mono (L) out with a 1/4" phono cable and a DTX700 module. 10" to 12" should be enough for most small group/band settings. qsc cp12 vs yamaha dbr12. Drum amps have to cover the full range - that's asking a lot from a single 12" woofer, only the higher class 12" woofers like that in the DXR12 can handle kicks at gig volumes. Just like the QSC CP12, the QSC K12 also has plenty of control and connectivity options. What's important is you have enough channels for all input sources. Both are rated the same as far as power, looks like the QSC may have a little lower Bass response, atleast according to the specs, but the Yamaha looks to be the louder of the two. Congratulations! The DBR 10 is an extremely powerful and excellent sounding piece of equipment. The Yamaha DBR series has been around since 2014 when they brought some of the DSP magic from their higher priced DXR series to this more affordable range and they've been quite popular and well regarded ever since. For anyone running asimple dance setup where you have amusic source and amic plugged directly into the CP speakers, using the two inputs gives suitable EQ for both without the need for an external mixer. 99 out of 100. Anyone buying into the QSC product line with these and making afuture step up to the KSeries would already own agreat set of monitors as part of ascalable branded rig just don't plan on trading them in at alater date, as you'll want to keep them! This website is using a security service to protect itself from online attacks. DXR10 user with Ax8 here - I'm extremely satisfied with it, no desire at all to upgrade. Samson are a good brand for many things however they haven't yet had high enough ratings to make it onto our short-lists for powered speakers although their Auro X15D is a candidate that might make it onto our recommended list at the next update of this guide. 25, 2018. For a powered speaker that weighs under 25 pounds, the Yamaha DBR10 is one loud PA speaker: putting out a massive 129 SPL with good clarity and at an agreeable price. All contents copyright SOS Publications Group and/or its licensors, 1985-2023. I'll look forward to your thoughts on this, Jon. 14, 2021. I know the QSC K series is the go too usually, but they are very costly. This is why many love buying active loudspeakers. The general rule is that higher the max SPL rating, the more space is covered by the speaker. Just curious as to how/why EAW (Eastern Acoustic Works) speakers never seem to make it into your ratings. David here. And I've NEVER seen this issue mentioned with the DBRs being used for e-drums. The second input is for line sensitivity or high-Z, which is ideal for instruments. JBL PRX815 is ranked 2nd while QSC K12 is ranked 3rd. I'm seriously considering something for my own future endeavors, &, could see the plus of not having to lug around a separate amp rack & saving some time from all the connections thereof. My first test was to run some known programme music through the CP8 and CP12 in the workshop, and gain some initial impressions of how these boxes sound. If youre after something a little more compact but still packs a punch, check out my JBL Xtreme 2 vs Xtreme 3 Review. One thing the B201D is known for is its good power-to-weight ratio. Finally, its rear panel has a loop through XLR output for sending the line signal to another CP Series loudspeaker. January 21, 2022 qsc cp12 vs yamaha dbr12pss learning pool login. QSC also adds a bit more power to the LF driver, which means a bit more low-end emphasis, which helps its small 8" speaker to sound fuller. I really dont worry about it that much anymore. alfabeto fonetico italiano pronuncia. The first words to enter my head were 'unexpectedly' and 'loud', as these small boxes really do deliver alot more output than you might expect from either their size or their published 124/126 dB SPL figures. They weigh in at 11.79kg, 14.96kg and 17.69kg as noted, so definitely not backbreaking. The original K's used symmetrical 500 watt amps for both tweeter and woofer. I did not find them in the database either, just the Dark Matter 112. There are, at present, only two models in the CP series: the CP8 and CP12. The QSC CP12 speaker weighs in at about 13.7 kg. No need for a 15" for a kick drum, unless you select really big low kicks on your module. These are definitely great and light weight to use as monitors for a 4+ piece live band, but did not satisfy my expectations while using it for mains. Build specifications of the QSC CP12:QSC CP12SpecificationsEnclosure TypeBass-Reflex LoudspeakerMounting2 x M8 Bracket Point1 x 1.4 / 35 mm Pole Socket (Bottom)Handles1 x Top1 x SideConstruction MaterialMetal Grille, PolypropyleneDimensions20.3 x 13.8 x 12.7 / 516 x 350 x 323 mmWeight30.3 lbs / 13.7 kgGrille18 Gauge powder-coated steelif(typeof ez_ad_units!='undefined'){ez_ad_units.push([[250,250],'thehifiguide_com-large-mobile-banner-2','ezslot_10',701,'0','0'])};__ez_fad_position('div-gpt-ad-thehifiguide_com-large-mobile-banner-2-0'); The amplifier used in the QSC CP12 can deliver ample burst and continuous power for the loudspeakers matching transducers. 93.92.134.167 In the past 2 weeks of digging into PA systems I've found peak:continuous ratios of 2:1 4:1 5:1, even 10:1!! The QSC CP12 is a compact powered loudspeaker designed with portability in mind. With a 10" main speaker you might expect that it would be a bit lacking in the bass department, but it performs reasonably well there too, with a frequency range down to 55Hz. What's wrong with the Dsr112s. 15 years of Work Gone. Nice smooth,crisp top end. Amplifier: Bi-amplified Class D Output Power Peak: 700W (500W LF, 200W HF) Output Power Continuous: 325W (260W LF, 65W HF) Frequency Response: 55Hz-20kHz (-10dB) Maximum Peak SPL: 129dB Crossover Frequency: 2.1kHz Enclosure: Plastic Mounting: Pole, Floor, Wedge Inputs: 1 x XLR/TRS Combo (Mic/Line) , 1 x XLR/TRS Combo (line only), 1 x Stereo I haven't done this, but they have great reputation for combining well with subwoofers and the HPF switch works well for this purpose. I've used so many different monitors since every venue has different stuff, some I like a bit better than others, but any of these should do the job just fine. The audio and music industry has greatly benefited from the discovery of active loudspeakers. I think the DBRs are a bit cheap looking but that's not usually a factor. I am not disappointed! I was also considering the QSC K12, and it came down to economics. I've been an audio engineer for 20 years specializing in rock and metal recordings, and also I play guitar and produce original music for my band and other content creators. Add to Wish List Item in Wish List . I've heard the CP12 already and thought it was a big improvement, but haven't heard the yamaha's, anyone have experience with both? Submitted by Gator (not verified) on Jun. Audio specification of the QSC CP12:QSC CP12SpecificationsConfigurationActive 2-WayTotal Power Capacity1000 WattsAmplifier Power RatingLF: 800 WattsPeakHF: 200 Watts PeakAmplifier ClassClass-DHF Driver1 x 1.4 / 35.6mm Compression DriverLF Driver1 x 12 / 305 mm WooferFrequency Range (-10 dB)47 Hz to 20 kHzFrequency Response (-6 dB)49 Hz to 20 kHzMaximum SPL126 dBCoverage Angle75 degrees (conical)if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[250,250],'thehifiguide_com-box-4','ezslot_2',260,'0','0'])};__ez_fad_position('div-gpt-ad-thehifiguide_com-box-4-0'); The QSC CP12 is equipped with Directivity Matched Transition (DMT) that matches the angle of the woofer and the horn to ensure consistent, high-quality sound across the entire coverage area.